A non-narrative graphic narratives narrative

Comics, Life, Work
"Still Life" by Chris Ware

When I saw this week’s cover of The New Yorker, “Still Life,” by cartoonist Chris Ware, I was immediately reminded of a comics piece I had drawn nearly 30 years ago. Chris’ cover is a multi-panel non-narrative portrait of New York City under coronavirus lockdown. My piece, from the fall of 1991, is a multi-panel non-narrative portrait of the U.S. in the aftermath of Operation Desert Storm (the first Gulf War).

Untitled by Josh Neufeld

The origins of my piece stem from a period when I was first starting to think about different ways I could use the comics form. Up to that point, pretty much all I had ever drawn were superhero-style comics, but I was losing interest in the genre and I was confused about what other possibilities there were for the form. So this piece, which is untitled, came out of that search.

The page mostly features familiar motifs of the first Gulf War era — camouflage, American flags, military helicopters — and some signs of the season — bare tree branches, fallen leaves. But it also has other more fanciful features. It’s like an impression of a certain time — in the life of the city, and in the psychology of a young man of that era.

One of the most striking similarities between the two pieces are images of New York City’s iconic skyscrapers in the page’s lower-left areas: Chris’s portrait of the illuminated Empire State Building at night, and my portrait of the towers of the World Trade Center, shrouded in fog. (If you are darkly sentimental, it’s easy to imagine those are the towers surrounded by the smoke of their own destruction on 9/11 — still some 10 years in the future.)

It just so happens that I know Chris Ware. We met in Chicago a few after I drew this piece, through a mutual friend, and our occasional get-togethers were very meaningful for me as an aspiring “alternative cartoonist.” Chris was always encouraging to me, and he taught me a lot about the practice of comics; and it was fun getting together with him and his wife Marnie.

Before you ask, he definitely never saw my non-narrative comic, and it has never been published — or until now, even publicly exhibited. I was just struck by the two piece’s superficial similarities.

(By the way, I colored the piece directly on the page with Design markers — probably the last time I ever used markers of any kind on my comics. Pre-PhotoShop!)

P.S. My very astute wife points out that Chris’s piece is very clearly NOT non-narrative (now that’s a confusing sentence). If you “read” it left-to-right, top-to-bottom, you realize that the story progresses through a day from morning to evening, and much of it is from the perspective of one person stuck in their apartment. There’s so much more to his piece than just an aspect-to-aspect series of images. Proof once again that Chris Ware is a genius!!

Oberlin Then and Now: 1989–2009

Life, Travel
Oberlin College campus (2009)

My visit to Oberlin earlier this month was the first time I had been back to the campus since late 2000, and the first extended stay since my ten-year reunion back in 1998. As with all things, much had changed in the school and surrounding town, though at heart the Oberlin experience remains the same: happily, it’s still a tiny, politically progressive, hippie-oriented enclave in a bucolic northern Ohio setting.

The most striking difference between then and now is how much the town of Oberlin has evolved to cater to the college. When I was a student there in the late 1980s, the only places to eat in town were the Campus Diner, Lorenzo’s (a divey pizza & beer joint), the Tap House (which specialized in greasy bar food and cheap pitchers), the Oberlin Inn (which was too pricey for most students’ budgets), and Rax (a local roast beef chain). Right near the end of my time, a Subway franchise opened on Main Street, but that hardly counts.

Other places in town were Gibson’s Food Market & Grocery, a thrift store, a record store, the Co-op Bookstore, the Apollo Theatre, the Ben Franklin five-and-dime, a pharmacy, a couple of banks, a hardware store, a bike store, a copy shop, and an Army-Navy store. Of all those, only Gibson’s, the thrift store, and the record store could’ve been said to focus on student business; for the most part the “city” of Oberlin (pop. c. 10,000) seemed very resolutely an entity of its own, geared toward the local, non-student populace. Nonetheless, I never felt a lack: I was happy to scarf down a Mr. Fred or an Obie-burger at the Campus Diner; a thick-crusted, cheesy pizza at Lorenzo’s; or a chicken sandwich at Rax. And most of my life revolved around the campus itself.

Now there are all sorts of cafes and restaurants whose sole purpose is to cater to students: hippie diners, Asian fusion restaurants, upscale yuppie cuisine, a burrito joint, an ice cream shop, a Chinese eaterie, the list goes on. And Gibson’s has gotten truly baroque in its accommodation to the student munchies crowd: their main features seem to be chocolate-covered bacon and orange peels, and racks and racks of booze. (Up until the early 1990s, Oberlin was a dry town, with only beer allowed to be sold — except at the Oberlin Inn, which had some sort of special dispensation to sell hard liquor.)

And then there are the other places so foreign to my Oberlin experience: New Age trinket stores, yoga studios, hair salons, and even a comics store (albeit sparsely stocked and darkly lit). The strangest thing, though, is the absence of the Campus Diner. I always thought of that place as the center of Oberlin, the one place in town where college and town really mixed. It’s just weird to me that that place is gone. The absence of Campus, along with the Tap House and Rax being gone really makes me wonder how welcome Oberlin’s “townies” now feel in their own community. My guess, however, is that economic realities set the tone for these changes, and that the old establishments just couldn’t afford to stay in business. And it’s nice to know that a number of the new establishments are owned and operated by ex-Obies (who apparently just couldn’t bear to leave town after graduation). But I had been really looking forward a Mr. Fred! Grrr…

The Co-op Bookstore is gone too, a victim of over-building, replaced by a Barnes & Noble franchise. There’s also a used bookstore that shares space with the Ben Franklin. And the aforementioned comics store, which seems to be wasting its potential (though they were kind enough to supply books for my signing Saturday afternoon). I liked the selection of comics they had on hand — mostly alternative fare and Vertigo books — but it seemed like there was only one copy of each title on hand, and most of them were sealed in plastic (I guess to prevent browsing). The effect was less than welcoming. In addition, the store’s window displays were entirely bare, except for some faded posters of long-completed Marvel and DC “event” comics. Not even a couple of current alt-comix enticements, like, say, the recently published nonfiction graphic novel of a returning alum (hint, hint).

I was so happy to see the Apollo Theatre functioning, still showing its weekly quota of scratched first-run movies. Erik Inglis told me the college had recently bought the floundering theatre, and had plans to keep it going while also integrating the school’s film program into the upstairs offices. (The newest Oberlin Alumni Magazine has a feature about the whole affair.) Some of my best movie-going experiences took place at the Apollo: whether the movies were enduring classics or 80s drek, I’ll never forget seeing films like Aliens, Die Hard, Back to the Future Part II, Rocky IV, The Color Purple, The Wall, Eddie Murphy: Raw, Wildcats, or The Accused at the Apollo.

Changes on the Oberlin campus itself seemed mostly for the good. I really dug the way they’ve re-imagined the first floor of Mudd Library, with an array of free computers, a new books area, and a café. I enjoyed a quick visit to the old computer center, which now features a computer supply store, and an entrance decorated with a display of vintage 1980s and ‘90s computers — the very ones I used to spend so much time on during my student days. Otherwise, it was comforting to sit in one of Mudd’s enduring “womb chairs” and just to stroll through the library’s stacks, remembering that books are still integral to the college experience, and that to really learn and understand a topic you still need to immerse yourself in a book. Wikipedia is not the answer to all of life’s questions!

It was also fun to wander through Wilder, past the mailroom, the Rath, and the ‘Sco. I even picked up a copy of the Oberlin Review, still publishing — on paper, no less. It was both comforting and a little disappointing to see how little the Review had changed, however: still dry as dust and self-serious. (Though I did enjoy reading the “Review Security Notebook,” always one of my favorite features back during my student days.)

The new buildings on campus were all fine — I like the way the new science center wraps around the old one — but one of the best moments of our visit was the gorgeous fall afternoon when Sari, Phoebe, and I strolled around the whole campus, admiring some of the classic buildings: Peters Hall, Talcott, Keep, the art museum, and even dorms like Burton. On the other hand, Dascomb is still a pit. I took Phoebe on a tour down my old hallway (I lived in the same room in Dascomb my first two years at Oberlin) and passed my old room. It still smells the same — like feet! Phoebe seemed trepidatious. I was too. Maybe it’s time to demolish the place? (I think South’s time is over as well.)

Oberlin painted rock

The whole experience, combined with my “official” visit as a returning alum, was a pulsating mix of old and new, where I often felt myself caught between two temporal realities, past and present. But as long as the painted rocks remain in Tappan Square, Oberlin will always be home to me.

4th Anniversary

Life

Four years ago today, Sari & I held our commitment ceremony. We were celebrating the ten years we had already been together and formally cementing our relationship. And all because Sari had the good sense to propose to me!

I had long had an aversion to the idea of marriage, partly because my parents were so bad at it, and partly because I was offended at the idea that a religious or state institution was empowered to marry us — while at the same time preventing others (e.g., gay couples) from enjoying the same priviliges. So together Sari and I crafted a ceremony without any official endorsements, outside in a meadow (in upstate New York) with just our friends and family as officiants. And at the end we “married” ourselves.

We cobbled the ceremony together from a friend’s wedding, which was based on a secular humanist text, some other sources, and our own inventions, edits, and additions. And we were blessed by the participation of not only the 50 or so witnesses, but an amazing group of friends and family who together performed the service. We’ve since had the pleasure of attending a number of weddings which used our text as the basis for their ceremony. It would be nice to think that this type of event is taking on a life of its own.

The day of the ceremony was one of those perfect days — much like today — with temperatures in the 80s and no humidity. The sky was blue, with just a few clouds, and I’ll always remember it as one of the last truly happy days before the horrors to come. Only 16 days later, on another pefect late summer day, two planes flew into the World Trade Center.

In celebration of our fourth anniversary, I’m attaching the text of the ceremony below.

p.s. Special prize to anyone who can identify the source of our actual vows. They’re from two divergent places.

Stoopin’ Part III

Life

MILLENNIAL MADNESS

Being the third and final installment of my history of stoop/yard/garage/street/sidewalk sales, with photos, illustrations, near-disasters, psycho killers, and more.

2001 (June 9)

Brooklyn — Not even officially resettled in New York, I’m nonetheless ready to sell my junk! Fortunately, wjcohen (also relocated to Brooklyn) has just as much Jewish merchant blood as me and he’s more than willing to host the sale, which becomes our first official annual stoop sale (seeing as he’s got a stoop!). With significant others Sari and Alison (and 9-month-old baby Lila) joining the cause, we pull off a good one.

Still Stoopin’ After All These Years

Life

I’m what you’d call a dedicated stoop-seller. For the last five years I’ve had an annual sale here in Brooklyn (at my friend’s place in Cobble Hill to be exact), and I’ve had sales at many other places over the years. In fact, I may hold some kind of stoop/garage/yard/sidewalk/street sale-location record, with (in reverse order) San Francisco, Chicago, Manhattan, and San Diego also on my list.

It must be in my blood: my great-grandparents included a Turkish rug merchant and the proprietor of a Lower East Side corner store. In addition, my mother, who’s an artist, has integrated a huge traveling garage sale into her installations for more than thirty years. But whereas my mom uses the form of the garage sale to comment on the nature of art and commodification, I just love sellin’ stuff.

Believe it or not, though, it’s not the profit motive that compels me. What really jazzes me about a sale is the idea that somebody wants something — a shirt, a picture frame, an old magazine — that I no longer need. And when their eye lights on that thing and we exchange some token amount of money, we both walk away from the transaction feeling like winners. I guess this confirms something about the world, about perception and point-of-view. Eye of the beholder and all that. And I gotta admit, it doesn’t hurt to get rid of a lot of junk and have some extra change jangling around in my pocket!

(Which is also why I’m an inveterate online auctioneer. I made my first eBay sale back in 1998 and I’ve been a regular there ever since. I go through periods of obsessive selling, but I’ve pulled back a bit and only put things up when I’ve got the time, which lately isn’t very often.)

But stoop sales are what I really look forward to, the opportunity to meet your customer and make that exchange face-to-face. Being a self-employed stay-at-home type, the stoop sale is my once-a-year chance to rub shoulders with — and sell stuff to — New York’s melting pot. Even in the white yuppie stronghold of Cobble Hill, our patrons include veiled Muslim women, Latino immigrants, Caribbean truck drivers, Chinese vagrants, European tourists, and the usual allotment of grungy hipsters.

An added bonus of a good sale is the chance it offers to spend time with your friends. Recently, we’ve been doing group sales, with five, six, or more buddies, and what other opportunities are there nowadays to hang with folks for six hours? The social sphere of a sale is filled with chances to chat one-on-one, join together in a good pitch, swap clothes & junk, and dandle each other’s pets and babies. And when the day is done, the stoop is clear again, and the leftover stuff has been sent to Goodwill, there’s noting better than spending your earnings on good food and drink with the sales gang.

Being a merchant at heart, I’m not much of a stoop sale customer. Unlike Sari, who will cross the street to check out a sale, I pass ‘em by without a second look — unless a vintage comic or cheap DVD catches my eye. Otherwise, I’m strictly a seller. Which is not to say that I haven’t “stooped” to accumulating inventory purely for the purpose of re-selling it. Being an artist, I’m not averse to “finding” stuff on the street (or in a garbage can or dumpster), not to mention the odd incredible deal at a thrift or antique store. But I know this is an unhealthy practice, and I try not to let it control me. Mostly my inventory is actual my stuff that for one reason or another has become obsolete or unnecessary. And of course all those useless holiday gifts that are un-returnable or not even worth re-gifting!

So, in honor of the form, here’s a blow-by-blow list of sales I’ve taken part in, from way back in the 70s, to the hair-raising East Village of the 80s, to sprawling sales in Chicago’s Wicker Park in the 90s, all the way to this decade in (to quote fellow stooper WJC) “The Lyn of Brook”…


THAT 70s SALE

c. 1978

Anecdote

Life

This is the last time i’ll write about my finger or physical therapy:

The other day, while Mayte was working on my finger, she passed on some important knowledge. Tapping the outside of my hand, between my wrist and my pinkie, she said, “This is what boxers break.” Indicating the other side of my hand/wrist, she explained, “This is what skaters break.” Pointing to my middle finger, she told me, “This is what basketball players break.” And then, pointing to my broken finger she said, “This is what little Jewish boys break.”

OUCH!!!