Comixography

Listed backwards chronologically

KEY
A / P / I / L / Cl / W / C — artist / penciller / inker / letterer / colorist / writer / cover
GN — graphic novel
Pb — paperback
LS — limited series
U — Up to current issue number (incomplete, uncanceled series)
F — Completed or canceled series

Books and Graphic Novels

FLASHed: Sudden Stories in Comics and Prose

[color; co-edited with Sari Wilson; Pressgang, 2016, GN] (also illustrated the cover)

The Influencing Machine

[color; co-creator with writer Brooke Gladstone; W.W. Norton, 2011, GN; 2012, paperback; 2021, anniversary edition]

DER BEEINFLUSSUNGSAPPARAT
[color; Correctiv, 2016; GN hardcover — German translation of The Influencing Machine]

LA MACHINE À INFLUENCER
[color; Çà et Là, 2014; GN paperback — French translation of The Influencing Machine]

ARMI DI PERSUASIONE DI MASSA
[color; Rizzoli Lizard, 2012; GN paperback — Italian translation of The Influencing Machine]

DIGESTING THE MEDIA: Detailed History of Media; Eloquent Media Criticism [translated from Korean]
[color; DoddleSaeghim, 2012; GN paperback — Korean translation ofThe Influencing Machine]

A.D.: New Orleans After the Deluge

[color; Pantheon Books, 2009, GN; 2010, paperback]
[color; serialized on SMITH Magazine, 2007–2008, webcomic]

A.D.: LA NOUVELLE-ORLéANS APRèS LA DéLUGE
[color; La Boite à Bulles, 2011, GN paperback — French translation of A.D.: New Orleans After the Deluge]

A.D.: NEW ORLEANS na de WATERSNOOD
[color; De Vliegende Hollander, 2010, GN paperback — Dutch translation of A.D.: New Orleans After the Deluge]

KATRINA CAME CALLING: A Gulf Coast Deployment

[photocopied; self-published zine, 2006, 128-pp.]

A FEW PERFECT HOURS (And Other Stories from Southeast Asia & Central Europe)

[blue ink on tinted paper; 2004, self-published through a grant from the Xeric Foundation; Pb GN]

  • Front Cover [A/Cl/C]
  • “A Few Perfect Hours” [A/L/W]
  • “Travel Tip #6: How to Squat ” [A/L/W]
  • “Travel Tip #13: Bathing In The Tropics ” [A/L/W]
  • “The Cave of Fear” [A/L/W] 
  • “Tribal Rituals, Part I: On a Mission” [A/L/W]
  • “Travel Tip #3: Less Weight In The Bag ” [A/L/W]
  • “Mr. Ong’s Organic Farm” [A/L/W]
  • “How to Star In a Singaporean Soap Opera ” [A/L/W]
  • “Travel Tip #45: Gynecology On The Go” [A/L/W]
  • “The Balkan Express, Part I: The Serbian Bear” [A/L/W]
  • “The Balkan Express, Part II: The Ice Cream Man” [A/L/W]
  • “Tribal Rituals, Part II: Cremations, Cubicles, and Cant” [A/L/W] 
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Creator Series

THE VAGABONDS

[B&W/color series, 1-U; 2003–present, Alternative Comics (1-2); Hang Dai Editions (3–present)]

The Vagabonds #6, March 2018

  • Front Cover [A/Cl/C]
  • “The Trump-Russia Memos” [color story; A/L/W/Cl]
  • “Costumed Chaos in Times Square: The Infamous Street Elmos of NYC Fight for Their Right to Take Selfies with Tourists” [color story, A/L/W/Cl]
  • “Why We Break Our Stuff Accidentally-on-Purpose: Featuring Jenga and a Coffee Mug” [color story; A/L/W/Cl]
  • “The Persistence of Memory…” [color story; A/L/W/Cl]
  • “Scenes From an Illicit War: From Planet Invisible” [color story; A/L/W/Cl; story by Martha Rosler]
  • “A Matter of Perspective” [color story; A/L/W/Cl]

The Vagabonds #5, March 2016

  • Front Cover [A/Cl/C]
  • “Fare Game: Taking the Rating Economy for a Ride” [color story; A/L/W/Cl; co-written by Michael Keller]
  • “The Secret Life of Emojis” [color story, A/L/W/Cl]
  • “Where Are They Now? Revisiting A.D.‘s Characters 10 Years Later” [color story; A/L/W/Cl]
  • “Notification: You’ve Got Cancer” [color story; A/L/Cl; story by Adam Bessie]
  • “A Scanner Constantly” [color story, A/L/Cl; story by Adam Bessie]
  • “Gift to the World: Jonas Salk and the Development of the Polio Vaccine” [color story, A/L/Cl; story by Martha Rosler]
  • “The Big Picture: From Crooklyn to Ice Cream Cone-y Island” [color story; A/L/W/Cl]
  • “Tonight on Mascots Gone Wild: Mr. Met — or Mr. Hyde?!” [color story; A/L/W/Cl]
  • “Post-Traumatic Skyscraper Anxiety” [color story; A/L/W/Cl]
  • back cover: “What’s the Origin of the Word ‘Cop’?” [color story; A/L/Cl; story by Sari Wilson]

The Vagabonds #4, March 2015

  • Front Cover [A/Cl/C]
  • “Crossing the Line: Profiling at the U.S. Border” [color story; A/L/W/Cl]
  • “What’s the Difference?” [color story, A/L/W/Cl]
  • “The Beekeeper” [color story, A/L/Cl; story by Sari Wilson]
  • “Playmate and Me” [A/L; story by Sari Wilson]
  • “The Island” [color story, A/L/Cl; story by Sari Wilson]
  • “The Past Perfect Progressive in Prague” [color story, A/L/W/Cl]
  • “Travel Tip #2: Rolling” [color story, A/L/W/Cl]
  • “Travel Tip #22: Quick Escapes for the Trapped Urbanite” [color story, A/L/W/C]
  • “The Tacky Tic” [color story, A/L/W/C]

The Vagabonds #3: The Journalism Issue, April 2014

  • Front Cover [A/Cl/C]
  • “Adventures in Comics Journalism” [color story; A/L/W/Cl]
  • “Türk Cayi” [color story, A/L/W/Cl]
  • “Bahrain: Lines in Ink, Lines in the Sand” [color story, A/L/W/Cl]
  • “A Toast to the Knight-Wallace Fellowship” [color story, A/L/W/Cl]
  • “Ai Wei Wei: Free in Body, Not in Voice” [2-color story, A/L/W/Cl]
  • “Taiwan: The High Cost of Free Speech” [2-color story, A/L/W/Cl]
  • “The School is Not a Pipe” [color story, A/L/Cl; story by Adam Bessie]
  • Untitled [one-page interview comic; A/L/W/Cl]

The Vagabonds #2: Of Two Minds, October 2006

  • Front Cover [A/Cl/C]
  • “Mortgage Your Soul: 1972 New York” [A/L, story by Peter Ross]
  • Untitled [A/L, from an interview with Martha Rosler]
  • “Mortgage Your Soul: 1974 Barbados, W.I.” [A/L, story by Peter Ross]
  • Untitled [A/L, from an interview with Eileen Myles]
  • “Typhoid Mary” [A/L, story by Joyce Brabner]
  • “Instant Gratification” [A/L, story by Harvey Pekar]
  • “Alien Finger” [A/L/W]
  • “Josh and I” [A/L/W]
  • “Cartoon Physics, Part I” [A/L, poem by Nick Flynn]
  • “Fortress of Solitude” [A/L, story by Gerry Conway (from Superman #351, Sept. 1980)]
  • “Crowd Goes Wild” [A/L, story by R. Walker]
  • “Father McKenzie’s Sermon” [A/L/W, inspired by The Beatles’ song “Eleanor Rigby”]
  • “Pivot” [A/L, story by David Greenberger]
  • “Bag of Mice” [A/L, poem by Nick Flynn]
  • “No Words” [A/L, story by The Civilians]
  • “Father Outside” [A/L, poem by Nick Flynn]
  • “Time of Arrival” [A/L, poem by Andrew Rashkow] 

The Vagabonds #1, June 2003

  • Front Cover [A/Cl/C]
  • “Tribal Rituals, Part One: On a Mission” [A/L/W]
  • “From the Asylum” [A/L/W]
  • “I Left My Name in San Francisco” [A/L/W]
  • “Case No. 714: Georges Rémi vs. Josh Neufeld” [A/L/W]
  • “Song for September 11th” [A/L/W, lyrics by Kander & Ebb]
  • Back Cover [A/Cl/C]

Because of You

[B&W series; co-creator; 2017, Hang Dai Editions] 

  • Front Cover [A/C, main image by Dean Haspiel]
  • Untitled lead story [A/L/W, co-written and co-drawn by Haspiel]
  • “Lionel’s Lament” [P/L/W, inks by Haspiel ]
  • “Lionel’s Lament” [A/L/W]
  • “Lionel’s Lament” [A/L/W]
  • “Lionel’s Lament” [A/L/W]
  • Back Cover [A/C]

TITANS OF FINANCE

[B&W series; co-creator; 2001, Alternative Comics]

Titans of Finance #1, September 2001 

  • Front Cover [A/Cl/C]
  • “The Comic Book Villain” [A/L, story by R. Walker]
  • “The Trader Shrugged” [A/L, story by R. Walker]
  • “Look the Part” [A/L, story by R. Walker]
  • “The V-Man” [A/L, story by R. Walker]
  • “Hoodoo” [A/L, story by R. Walker]
  • “Chainsaw!” [A/L, story by R. Walker]
  • “Ask Jay” [A/L, story by R. Walker]
  • Back Cover [A/Cl/C]

KEYHOLE

[B&W/color series 1-7; co-creator; 1996-1998, 2021, Millennium/Modern (1-4), Top Shelf Productions (5-6), Hang Dai Editions (7)]

Keyhole #7, October 2021 — 25th-anniversary edition 

  • Front Cover [A/Cl/C]
  • Inside Front Cover [A/Cl/C]
  • “Supply-Chain Superhero” [W/A/L/Cl]
  • “Food Riot? Food Riot!” [A/L/Cl, story by Martha Rosler]
  • “Still Life: Thinking Outside the Casket” [W/A/L/Cl]
  • “The Josh Neufeld Name Story” [W/A/L]

Keyhole #6, December 1998 

  • Front Cover [A/Cl/C]
  • “Travel Tips #22: How to Star in a Singaporean Soap Opera” [A/L/W]
  • “Titans of Finance: Hoodoo” [A/L, story by R. Walker]
  • “Lionel’s Lament” [A/L/W]

Keyhole #5, June 1998

  • Back Cover [A/Cl]
  • “A Few Perfect Hours” [A/L/W]
  • “Titans of Finance: Ask Jay” [A/L, story by R. Walker]
  • “Lionel’s Lament” [A/L/W]

Keyhole #4, August 1997 

  • Cover [A/Cl]
  • “The Balkan Express part II: The Ice Cream Man” [A/L/W]
  • “Titans of Finance: Angell of the Plains” [A/L, story by R. Walker]
  • “Travel Tips #3: Less Weight in the Bag” [A/L/W
  • “Songthau to the Golden Triangle” [A/L/W]
  • “I Was Waiting for You, Daddy” [A/L, story by David Greenberger]

Keyhole #3, February 1997 

  • “The Balkan Express part I: The Serbian Bear” [A/L/W]
  • “Titans of Finance: Chainsaw!” [A/L, story by R. Walker]
  • “Travel Tips #45: Gynecology on the Go” [A/L, story by Sari Wilson]
  • “Lionel’s Lament” [A/L/W]

Keyhole #2, October 1996 

  • Cover [A/L/Cl/W]
  • “Mr. Ong’s Organic Farm” [A/L/W]
  • “Titans of Finance: The V-Man” [A/L, story by R. Walker]
  • “Mrs. Banks Wins at the Bank” [A/L, story by Dean Haspiel]
  • “Travel Tips #13: Bathing in the Tropics” [A/L/W]

Keyhole #1, June 1996 

  • “The Cave of Fear” [A/L/W, co-scripted with Sari Wilson]
  • “Traveling Tips #6: How to Squat” [A/L/W]
  • “Formal Wear” [A/L/W]
  • “Lionel’s Lament” [P/L/W, co-scripted with Dean Haspiel]
  • “West Town Story” [A/L/Cl/W/C; back cover]
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Stories Published Elsewhere

  • “Empathy 101: How medical schools are using improv theater, virtual reality and comics to help physicians understand their patients” [W/A/L/C; The Journalist’s Resource, December 21, 2023]
    — The Chicago Sun-Times
  • “Kansas City and the Case for Restitutional Medicine” [W/A/L/C; Harvard Public Health magazine, Fall 2022]
  • “Vaccinated at the Ball: A True Story About Trusted Messengers” [W/A/L/C; The Journalist’s Resource, June 13, 2022]
    — The Chicago Sun-Times
    — Word in Black
    — Drawing the Times
  • “Clean Slate: A Student Debt Forgiveness Story” [W/A/L/C; The Emancipator, Apr. 24, 2022]
  • “A Tale of Two Pandemics: A Nonfiction Comic About Historical Racial Health Disparities” [W/A/L/C; The Journalist’s Resource, Nov. 16, 2020]
    — BoingBoing
    — Drawing the Times
    — Next City
    — GeneroCity
  • “Supply Chain Superhero” [W/A/L/C; PANDEMIX: Quarantine Comics in the Age of ‘Rona, July 2020]
    — The Dispatch #4 (published by Azim Premji Foundation, August 2020)
  • “Food Riot? Food Riot!” [A/L/C; story by Martha Rosler; e-flux Journal #110, Summer 2020]
  • “A brief introduction to differential privacy: A data protection plan for the 2020 census” [W/A/L/C; Journalist’s Resource, Mar. 23, 2020]
  • “A Graphic Guide to the 2020 US Census” [W/A/L/C; Journalist’s Resource, Dec. 2, 2019]
  • “The Nineties” [A/L/C; story by Jay Sherman-Godfrey; Instinet 50th Anniversary Graphic Novel, Dec. 2019]
  • “Still Life: Thinking Outside the Casket” [W/A/L/C; The Nib, Nov. 8, 2018]
  • “The Trump-Russia memos: a graphic account of the so-called ‘dossier’ that had the media world buzzing” [W/A/L/C; Columbia Journalism Review, Fall 2017]
  • “Why We Break Our Stuff Accidentally-on-Purpose” [W/A/L/C; Harvard Business School Working Knowledge, March 29, 2017]
  • “Costumed Chaos in Times Square: The infamous street Elmos of NYC fight for their right to take selfies with tourists” [W/A/L/C; The Nib, Sept. 26, 2016]
    — excerpted in Field Guide to Graphic Literature, The Rose Metal Press, 2023
  • “The Secret Life of Emojis,” [W/A/L/C; Boston Globe, March 11, 2016]
  • “From Crooklyn to Ice Cream Cone-y Island” [W/A/L/C; The Mint‘s “Big Picture,” Feb. 28, 2016]
  • “A Scanner Constantly” [color story; A/L/Cl; story by Adam Bessie; Pacific Standard, Feb. 8, 2016]
  • “The Road to Germany: $2400” [color story; A/L/Cl; story by Alia Malek; Foreign Policy, Jan./Feb. 2016]
  • “Fare Game: Taking the Rating Economy for a Ride” [color story; W/A/L/Cl; co-written with Michael Keller; Al Jazeera America, 2015]
  • “Journey’s End,” Schmuck [color story, A/L; story by Seth Kushner, Alternative Comics, 2015]
  • “Where are they now? Revisiting 4 Katrina survivors 10 years later,” [color story; W/A/L/Cl; Fusion, 2015]
  • “Notification: You’ve Got Cancer,” [color story; A/L/Cl; story by Adam Bessie; The Boston Globe, 2015]
  • “Gift to the World,” [color story; A/L/Cl; story by Martha Rosler; The Art of Saving a Life, 2015]
  • “Crossing the Line: Racial Profiling at the U.S. Border,” [color story, A/L/W/Cl; Medium, 2015]
    — Eat More Comics: The Best of the Nib, The Nib, 2015
    — republished by Drawing the Times [2016]
    — excerpted in Field Guide to Graphic Literature, The Rose Metal Press, 2023
  • Terms of Service: Understanding Our Role in the World of Big Data [color story, A/L/W/Cl; co-written with Michael Keller; Al Jazeera America, 2014]
  • “The School is Not a Pipe” [color story, A/L/CL; story by Adam Bessie, Truthout, 2014]
  • “SuperStorm Stories: a Red Hook Family” [color story, A/L/W/Cl; Medium, 2013]
    — selected for The Society of Illustrators’ Comic & Cartoon Art Annual Exhibition #1
  • “Playmate and Me” [grey-toned story, A/L/Cl; story by Sari Wilson; The Big Feminist BUT, May 2013]
  • “Türk Cayi” [color story, A/L/W/Cl; The Journal of the Knight-Wallace Fellows of the University of Michigan, 2013]
  • “Adventures in Comics Journalism” [color story, A/L/W/Cl; Mint “The Small Picture,” 2013]
  • “The Bitumen Junket” [color story, A/L/W/Cl; The Journal of the Knight-Wallace Fellows of the University of Michigan, 2012]
  • “Stowaway” [color story, A/L/Cl; story by Tori Marlan; The Atavist, 2012]
  • “Bahrain: Lines in Ink, Lines in the Sand“ [color story, A/L/W/Cl; Cartoon Movement, 2011]
    — translated into Persian [2012]
    — republished by Drawing the Times [2017]
  • Untitled [cover and one-page interview comic; W/A/L/C; NEA Arts, 2011 No. 4, Dec. 2011]
  • “Scenes From an Illicit War: From Planet Invisible,” [two-color story; A/L/C; story by Martha Rosler]
    — Massachusetts Review, vol. 52, noa. 3-4, pp. 607-8, Oct. 2011
    — System Error: War is a Force That Gives Us Meaning, Silvana Editoriale, 2007
  • “Post-Traumatic Skyscraper Anxiety” [color story, A/L/W/Cl]
    — Cousin Corinne’s Reminder #3, Book Court, 2011
    — System Error: War is a Force That Gives Us Meaning, Silvana Editoriale, 2007 [two-color]
  • “The Island” [Color story; A/L/Cl. story by Sari Wilson; The Oxford American, issue #70, Aug. 2010]
  • A.D.: New Orleans After the Deluge excerpt [color story, A/L/W/Cl; The Best American Comics 2010, Houghton Mifflin Harcourt, 2010]
  • “The Persistence of Memory…” [B&W story; A/L/W; FEAST Yer Eyes: A New Orleans Comix and Illustration Anthology, Antigravity, 2010] 
  • “Father Figures” [grey-toned story, A/L/W/Cl]
    — Syncopated: An Anthology of Nonfiction Picto-Essays, Villard, 2009
    — Negative Burn #15, Desperado, 2007
  • “Global Warming” [B&W story; A; story by Harvey Pekar]
    — American Splendor: Another Dollar, Vertigo, 2009
    — American Splendor (vol. 2) #2, Vertigo, 2008
  • “Compromise” [B&W story; A; story by Harvey Pekar]
    — American Splendor: Another Dollar, Vertigo, 2009
    — American Splendor (vol. 2) #2, Vertigo, 2008
  • “A Matter of Perspective,” [Color story; A/L/W/Cl; The Unexpected World of NATURE #3, Thirteen/WNET, 2008]
  • “The Beekeeper” [Color story; A/L/Cl; story by Sari Wilson, Next Door Neighbor, SMITH Magazine, 2008]
  • “Next to Madame Tussauds. I don’t mind the place, but my spouse just threatened to sneak in with a hair dryer.” [b&w mini-comic; A; story by Whitney Matheson, Whitney Matheson’s Pop Candy Twitter Comics: Illustrated Tweets of Readers of Pop Candy, popcandy.blogspot.com, 2008]
  • “What’s the Difference?” [grey-toned story; A/L/W/Cl]
    — Negative Burn #18, Desperado, 2008
    — Negative Burn #16, Desperado, 2007
    — War is a Force That Gives Us Meaning, Silvana Editoriale, 2007 [two-color]
    — Alternative Comics Presents Free Comic Book Day 2005, Alternative Comics, 2005
  • “Travel Tips #2: Rolling” [grey-toned story; A/L/W/Cl; Negative Burn #17, Desperado, 2008]
  • Untitled [Color story; A/L/Cl/W; co-written with Susan Karwoska, Teachers & Writers vol. 39, issue #4, 2008]
  • “Bag of Mice,” [B&W story A/L; adaptation of poem by Nick Flynn, World Literature Today, Mar-Apr. 2007]
  • “Origin of a Planet Keeper” [color story; A/L/W/Cl; Nature Comics #2, Thirteen/WNET, 2007]
  • “Medicating In the Early A.M.” [grey-toned story; A; story by Harvey Pekar]
    — American Splendor: Another Day, Vertigo, 2007
    — American Splendor #3, Vertigo, 2006
  • “The Past Perfect Progressive in Prague” [A/L/Cl/W; Metro, July 17, 2006]
  • “Cell Phones,” [grey-toned story; A/L; story by Harvey Pekar]
    — The Best of American Splendor, Ballantine Books, 2005
    — mMode magazine, Spring/Summer 2004 [full color]
  • “Be Careful Not to Pull Too Hard on Loose Ends” [B&W story; A/L; story by Joyce Brabner]
    — The Best of American Splendor, Ballantine Books, 2005
    — American Splendor: Windfall #2, Dark Horse, 1995
  • “A Decision” [B&W story; A/L; story by Harvey Pekar]
    — The Best of American Splendor, Ballantine Books, 2005
    — American Splendor: Windfall #1, Dark Horse, 1995
  • “Reduction” [B&W story; A/L; story by Harvey Pekar]
    — The Best of American Splendor, Ballantine Books, 2005
    — American Splendor: Portrait of the Artist in His Declining Years, Dark Horse, 2001
  • “Josh and I” [A/L/W; On the Other Hand, Peter S. Conrad, 2005]
  • “The Balkan Express, Part I: The Serbian Bear” [B&W story translated into French; A/L/W, Mococo: Modern Cool Comix, La Boite d’Aluminium, Fresne, 2005]
  • “The Balkan Express, Part II: The Ice Cream Man” [B&W story; A/L/W]
    — Mococo: Modern Cool Comix    , La Boite d’Aluminium, Fresne, 2005 [translated into French]
    — SPX 2003, The Expo, 2003
  • “Father Outside” [B&W story; A/L; adaptation of poem by Nick Flynn, The Common Review, Fall 2004]
  • “Travel Tip #22: Quick Escapes for the Trapped Urbanite” [Color story; A/L/W/Cl; ReadyMade, July/August 2004]
  • “Cat Treatment” [grey-toned story; A/L; story by Harvey Pekar, American Splendor: Our Movie Year, Ballantine Books, 2004]
  • “Hollywood Reporter” [B&W story; A/L; story by Harvey Pekar, American Splendor: Our Movie Year, Ballantine Books, 2004]
  • “Freaky Friday” [Color story; A/L/W/Cl; mMode magazine, Fall 2003]
  • “The Malaise vs. Greenspantern” [Color story; A/L/Cl; story by Jeff Salamon; Austin American-Statesman, June 20, 2003]
  • “How I Spent My Summer Vacation” [Color story; A/L/W, Fortune Small Business, June 2003]
  • “Joe CEO” [Color story; A/L/W, Fortune Small Business, March 2003]
  • “Corporal Punishment” [B&W story; A/L/W, WarBurger, Stripburger, Ljubljana, 2003]
  • “Case #714: Georges Rémi vs. Josh Neufeld” [B&W story; A/L/W, Spark Generators II, 2003]
  • “Sparky’s Last Pitch” [B&W story; A/L/W]
    — Top Shelf Asks the Big Questions, Top Shelf Comix, 2003
    — Austin American-Statesman, January 23, 2000
  • “From the Asylum” [B&W story; A/L/W]
    — Alternative Comics #1, Alternative Comics, 2003
    — MadBurger, Stripburger, Ljubljana, 2002
  • “Dump That Charisma!” [Color story; A/L/W, Fortune Small Business, December 2002]
  • “2052’s Biggest Business Scandals” [Color story; A/L/W, Fortune Small Business, September/October 2002]
  • “Don’t Be A Remaindered Writer: Be Your Own Bookseller” [B&W story; A/L/W, Fortune Small Business, May 2002]
  • “The Butler Does It” [B&W story; A/L/W, 24-hour-comic, March 2002]
  • “Typhoid Mary” [B&W story; A/L; story by Joyce Brabner, SPX2002, The Expo, 2002]
  • “Titans of Finance: Hoodoo” [Color story; A/L/Cl; story by R. Walker, Drawn Bits, 2002]
  • “Song for September 11th” [B&W story; A/L/W, 9-11: Emergency Relief, Alternative Comics, 2002]
  • “Cartoon Physics, Part I” [B&W story; A/L; adaptation of poem by Nick Flynn]
    — Chicago Reader, December 28, 2001
    — CrossRoads: The Journal of the Poetry Society of America, Fall 2001
  • “Crowd Goes Wild,” [B&W story; A/L; story by Rob Walker, Chain 8: Comics, 2001]
  • “Fortress of Solitude” [B&W story; A/L/W, Chain 8: Comics, 2001]
  • Untitled [B&W story; A/L; collaboration with poet Eileen Myles, Provincetown Arts, 2001]
  • “A Tribute to Dino” [B&W story; A/L; story by Harvey Pekar, Opposable Thumbs, Alternative Comics, 2001]
  • “Titans of Finance: The Comic Book Villain” [B&W story; A/L; story by R. Walker, EXPO 2000, Small Press Expo, 2000]
  • “Stupid Capitalists” [B&W story; A/L; story by Harvey Pekar]
    — American Splendor: Bedtime Stories, Dark Horse, 1999
    — Green magazine, Winter 2000 [full color]
  • “Titans of Finance: Look the Part” [B&W story; A/L; story by R. Walker, SPX’99: The Comic, Small Press Expo, 1999]
  • “I Left My Name in San Francisco” [B&W story; A/L; Murder by Crowquill, Amazing Montage, 1999]
  • “Eric’s Goodbye” [B&W strip, A/L; story by Kristen, WNET’s Overboard, “Back Page Comix”, later published in Close to Home Comix, Thirteen/WNET, 1998]
  • “Subscribe” [B&W story; A/L; story by Jeff Mason, SPX’98, Small Press Expo, 1998]
  • “What’s the Origin of the Word ‘Cop’?” [B&W strip, A/L; story by Sari Wilson, Maxine #4, 1998] 
  • “Temping at Citibank” [strip; A/L/W; In These Times, January 6-18, 1997]
  • “The 9 Lives of Nina Fishbeck” [B&W story; A/L; story by Gretchen Kalinoski; Beware, Your Wish Could Come True (FrightWrite: a Ghastly Good Reading and Writing Program), Jamestown Publishers, 1997]
  • “Andy Statman” [B&W story; A/L; story by Harvey Pekar]
    — American Splendor: Odds And Ends, Dark Horse, 1997
    — “Andy Statman” [B&W strip; A/L, story by Harvey Pekar; The Village Voice, 1996
  • “Titans of Finance: Ask Jay” [B&W story; A/L; story by R. Walker SPX’97, Small Press Expo, 1997]
  • “Travel Tips #45: Gynecology on the Go” [B&W strip, A/L; story by Sari Wilson, Maxine #3, 1997]
  • “Diminished Capacity” [B&W story; A/L; story by Harvey Pekar, American Splendor: Comic Con Comics, Dark Horse, 1996]
  • “Lionel’s Lament” [B&W strip; P/L/W, co-scripted with Dean Haspiel]; Negative Burn #28, Caliber, 1996]
  • “Ed Veshecco, Manhole Guard” [B&W story; A/L, story by David Greenberger; Lumpen vol. 5, #5, 1996]
  • “How’d You Do It, Mom?” [B&W strip, A/L/W (from an interview with Martha Rosler), Maxine #2, 1996]
  • “You Need to Read This” [B&W story; A/L; story by Harvey Pekar, American Splendor: Windfall #1, Dark Horse, 1995]
  • “Ethnicity” [B&W story; A/L; story by Harvey Pekar, American Splendor: Windfall #1, Dark Horse, 1995]
  • “Ed Veshecco, Manhole Guard” [B&W story; A/L; story by David Greenberger, Duplex Planet Illustrated #12, Fantagraphics, 1995]
  • “Pivot” [B&W story; A/L; story by David Greenberger, Duplex Planet Illustrated #10, Fantagraphics, 1995]
  • “The Dishonest Note” [B&W story, pg. 149; A; The Big Book of Urban Legends, Paradox/DC, 1994]
  • The Verdict [GN; Cl (cover only); Caliber, 1990]
  • “Stan Back” [B&W story; I/L; story by Todd Loren and art by Larry Nadolsky; Rock N’ Roll Comics #4, Revolutionary Comics, 1989]
  • “Stars & Stripes Forever” [B&W story; P/W, co-scripted with Fred Schiller and Wayne Hollander; The Verdict #1, Eternity, 1987]
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Strips

  • “Titans of Finance” [3-color strip; A/L (stories by R. Walker) — five episodes published in TheStreet.com, 2000]
  • “West Town Story” [B&W strip; A/L/W — seven episodes published in The Manhattan Mirror and The New York Hangover, 1996-1997]
  • “Giant Drunk Guy” [B&W strip; A/L (stories by Dominick Tracy and Ben Sullivan) — seven episodes published in Prognosis, 1993]
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Mini-Comics

THE VAGABONDS 1.5

[B&W mini-comic, co-creator; 2005, JoshComix] 

Of Two Minds, June 2005

  • “Father McKenzie’s Sermon” [A/L/W; inspired by The Beatles’ “Eleanor Rigby”]
  • “Cartoon Physics, Part I” [A/L; poem by Nick Flynn]
  • “Josh and I” [A/L/W]
  • “Sloth Cartoonist” [A/L/W]
  • “Instant Gratification” [A/L; story by Harvey Pekar]
  • “How’d You Do It, Ma?” [A/L/W; interview with Martha Rosler]
  • Untitled [A/L; interview with Eileen Myles]
  • “Father Outside” [A/L; poem by Nick Flynn]
  • “Time of Arrival” [A/L; poem by Andrew Rashkow]
  • “Fortress of Solitude” [A/L; story by Gerry Conway (from Superman #351, Sept. 1980)]
  • “Subscribe” [A/L; story by Jeff Mason]
  • “Crowd Goes Wild” [A/L; story by Rob Walker]

LIONEL’S LAMENT

[B&W mini-comic, 1-U; co-creator; 2004, Keyhole Comix Ink]

  • “Lionel’s Lament” [A/L/W, co-written with Dean Haspiel]

MORTGAGE YOUR SOUL

[B&W mini-comic, 1-U; co-creator; 2002, Keyhole Comix Ink]

Mortgage Your Soul, September 2002

  • “1972 New York” [A/L; story by Peter Ross]
  • “1974 Barbados” [A/L; story by Peter Ross]

TITANS OF FINANCE

[B&W mini-comic, 1-U; co-creator; 1999, Keyhole Comix Ink]

Titans of Finance #1, September 1999 

  • Cover [A/C]
  • “Ask Jay” [A/L; story by R. Walker]
  • “The V-Man” [A/L; story by R. Walker]
  • “Chainsaw” [A/L; story by R. Walker]
  • “Angell of the Plains” [A/L; story by R. Walker]
  • “HooDoo” [A/L; story by R. Walker]
  • “Look the Part” [A/L; story by R. Walker]

COOKIN’ WITH TYPHOID MARY COMICS

[B&W mini-comic, 1997, Red Hen Productions] 

  • “Typhoid Mary” [A/L; story by Joyce Brabner]

KILLER CARTOONIST

[B&W mini-comic, F; co-creator; 1997, Keyhole Comix Ink] 

  • Cover [A/L/W]
  • “A Coincidence” [A/L/W; story by Darrell Grant, inks by Scott Goodell]

IMPULSE FREAK 

[collaborative project done with Dean Haspiel, Tom Hart, David Lasky, Josué Menjivar and others, 1996] 

KEYHOLE MINI-COMICS

[B&W mini-comic series 1-4F; co-creator; 1995, Keyhole Comix Ink]

Keyhole Mini-Comics #4, October 1995 

  • Cover [A/L]
  • “I Was Waiting for You, Daddy” [A/L, story by David Greenberger]

Keyhole Mini-Comics #3, August 1995 

  • “Fortress of Solitude” [A/L, story by Gerry Conway]
  • “Crowd Goes Wild” [A/L]

Keyhole Mini-Comics #2, May 1995 

  • “Lionel’s Lament” [P/L/W, inks by Dean Haspiel]

Keyhole Mini-Comics #1, March 1995 

  • “The Wet Towels and the Hotel Room Fan” [A/L/W; cover]
  • “Songthau to the Golden Triangle” [A/L/W]
  • “Traveling Tips #6: How to Squat” [A/L/W]
  • “Temping at Citibank” [A/L/W]
  • “West Town Story” [A/L/W; back cover]

DIRTY MONKEY TOES

[with Dean Haspiel, Ken Nash, Sari Wilson, Linda Perkins, and Lawrence Wells, 1994]

BAD HAIRCUT

[with Dean Haspiel, Sari Wilson and Linda Perkins, 1994]

CAFFEINE

[with Ken Nash, 1994]

PIERCED

[with Ken Nash, 1994]

[ top ]

Creator Memorabilia

  • The Civilians, In the Footprint: The Battle Over Atlantic Yards [ album cover art, 2022 ]
  • The Civilians, Mr. Burns: a post-electric play [ album cover art, 2022 ]
  • The Civilians, Canard, Canard, Goose? [ album cover art, 2022 ]
  • The Civilians, Adventures in Reality [ album cover art, 2021 ]
  • MacArthur, “The Ship That Made the Map” [song cover art, 2021]
  • MacArthur, “That Pool is Now a Field” [song cover art, 2021]
  • MacArthur, “Pick Up Flip” [song cover art, 2021]
  • MacArthur, “Quarantine Text Wars” [song cover art, 2021]
  • The Civilians, Paris Commune world premiere recording [ album cover art, 2020 ]
  • The Civilians, (I Am) Nobody’s Lunch world premiere recording [ album cover art, 2020 ]
  • The Civilians, The Great Immensity original cast recording [ album cover art, 2019 ]
  • The Civilians, This Beautiful City original cast recording [ album cover art, 2019 ]
  • The Civilians, Pretty Filthy official cast recording [ album cover art, 2016 ]
  • MacArthur, The Fall Guy [CD cover art, 2014]
  • The Civilians, Gone Missing official cast album [CD cover and interior art, 2007]
  • The Beastles, Let It Beast mashup album [CD cover & T-shirt, djBC, 2006]
  • Marcorp Mudtruckers mud volleyball team [T-shirt, 2002 & 2005]
  • 2002 Comic Book & Calendar, Artfly #3 [panels for August 28 & 29; FC Brandt & Jesse Reklaw, 2001]
  • Visions of Freedom, Comic Book Legal Defense Fund [1 trading card in set; UltimateArt, 1997]
  • Super Deck! [4 trading cards in set (“Blade,” “Gas Mask,” “Tear Gas” and “Poison Gas”); Card Sharks, Inc., 1994]
  • Oberlin College Lacrosse [T-shirt, 1989]
  • Dasein: Connecticut College Intramural Ultimate [T-shirt, 1988]
[ top ]

Public Exhibitions

  • “The Josh Neufeld Name Story” in Sequential Synergy: The Art of the Comic (440 Gallery, Brooklyn, New York), 2022
  • Pages from A.D.: New Orleans After the Deluge and other work, in Legends: An Exploration of Contemporary Storytelling from Frame to Experience (Bradbury Art Museum, Arkansas State University, Jonesboro, Arkansas), 2021 
  • Pages from A.D.: New Orleans After the Deluge and The Influencing Machine, in Contar o Mundo: Reportagem em Banda Desenhada (“Tell the World: Comics Reportage“), at the 28th International Festival of Comics/Cartoons of Amadora 2017, Portugal, 2017
  • “Crossing the Line” in Cartooning: Sense, Nonsense, Applications, Higgins Lounge, Clark University, 2017
  • A.D.: New Orleans After the Deluge pages in Direct Action Comics: Politically Engaged Comics and Graphic Novels, Herter Gallery, University of Massachusetts—Amherst, 2017
  • Blake Boyd (Brooklyn Cereal), 2011, in Megalomania, Boyd Satellite Gallery, 2013
  • “Bahrain: Lines in Ink, Lines in the Sand,” (reproductions, translated into Dutch), in Chouf! QRA! (Kijk! Read!), at Stripdagen Haarlem 2012, Gallery 37, Haarlem, The Netherlands, 2012
  • Cartoonists’ Wheel of Life [with Molly Crabapple, Sanya Glisic, Ben Granoff, Rodney Greenblat, Steven Guarnaccia, Michael Kupperman, and Katie Skelly], Rubin Museum of Art, New York City, 2012
  • “Bahrain: Lines in Ink, Lines in the Sand,” (reproductions, translated into Italian), in Nuvole de Confine: Graphic Journalism: L’arte del Reportage a Fumetti, at Tolentino Humor 2012, Tolentino, Italy, 2012
  • “Pick Up Those PIIGS!” [with Martha Rosler], DAAD, Berlin, Germany, 2011
  • “Cartoon Physics, Part 1” and “Father Outside” [both with Nick Flynn], “No Words” [with The Civilians], and “Post-Traumatic Skyscraper Anxiety” in NeoIntegrity: Comics Edition, Museum of Comics & Cartoon Art, New York City, 2010
  • “Our Future?” in How Many Billboards? [with Martha Rosler], MAK Center, Los Angeles, California, 2010
  • “The Tacky Tic,” in ACT-i-VATE exhibit, Bergen Street Comics, Brooklyn, New York, 2009 
  • “Post-Traumatic Skyscraper Anxiety” and a page from A.D. in Infinite Canvas: The Art of Webcomics, Museum of Comics & Cartoon Art, New York City, 2007–2008
  • numerous pieces, Cartoon Brooklyn, Rocketship, Brooklyn, New York, 2005 
  • Solo exhibition, Jigsaw, New York City, 2004
  • “Stupid Capitalists!” and “A Decision: Bloodletting,” [with Harvey Pekar] in Comics as Art: Original Comic Art and Other Ephemera, The Zeitgeist Gallery, Cambridge, Massachusetts, 2003
  • “Cartoon Physics, Part 1,” [with Nick Flynn] in Comic Release: Negotiating Identity for a New Generation, Regina Gouger Miller Gallery, Carnegie Mellon University, 2003; travelling to the Contemporary Arts Center (New Orleans), the University of North Texas (Denton) and Western Washington University (Bellingham), 2003–2004
  • “Cartoon Physics, Part 1,” [with Nick Flynn] in International Comics Festival of Athens, Athens, Greece, 2002
  • “Song for September 11th,” in Heroes Among Us, New York City Firehouse Museum, 2001, travelled to Abraham Art Gallery at the Wayland Baptist University (Plainview, Texas); and The Lloyd Center (Portland, Oregon), 2002
  • “The Lesson for Today” [with Martha Rosler], in Martha Rosler: Positions in the Life World, New Museum, New York City, 2000
  • “The Lesson for Today” [with Martha Rosler], in Projections: Intermission Images, Side Street Projects, Santa Monica, California, 1995

Last updated January 17, 2019