Debuting today on the Cartoon Movement website is a new piece of mine, “Bahrain: Lines in Ink, Lines in the Sand.” The story follows Mohammed and Sara, two young Bahraini editorial cartoonists who found themselves on opposite sides of Bahrain’s short-lived Pearl Revolution.
I met Mohammed and Sara at workshops I led while visiting the tiny Persian Gulf country on a U.S. State Department trip. Shortly after I became friends with both of them on Facebook, Bahrain underwent a great deal of turmoil in protests inspired by the Arab Spring — and also by the country’s simmering sectarian tensions.As the New York Times wrote the other day, Bahrain is “… a country that was once one of the region’s most cosmopolitan is now one of its most divided.”
In the story I document Mohammed and Sara’s impressions of the events, through their words and experiences — as well as their own cartoons, which were published as things unfolded.
As I mentioned, I visited Bahrain last year as part of a trip that also took me to Egypt, Algeria, and Israel/Palestine. I later realized that the way I was “handled” by the State Dept. folks in Bahrain was very different than in the other countries I went to. Essentially, I feel, things were whitewashed a bit, and I was not given a full sense of Bahraini society, particularly the ethnic tensions between Sunnis and Shiites. You can read my original blog posts about the trip, my first reactions to the Pearl Revolution, and my realization that I had been “duped” here. Also, Michael Cavna of the Washington Post‘s “Comic Riffs” blog wrote a very nice profile of me and the piece here.
Since I finished the piece, the Bassiouni committee, which I mention near the end of the story, has published its report. You can read the original report here [a pdf], or two very thorough New York Times articles about its reception here and here.
In the end, I find the whole story quite heartbreaking — particularly because of the way the demonstrators were so brutally suppressed. It’s also really sad to see the lack of perspective on both sides. There’s a quote from one of the Bassiouni committee investigators that I think sums it all up quite tragically: “‘There is no neutral account ‘ said Mohamed Helal, the commission’s legal officer…. ‘The community is almost living in parallel universes.’ In investigating one episode, Mr. Helal said he found on the same day, at the same moment, ‘there was not one moment of overlap. How can you reconstruct the truth when there’s no overlap?’ he asked.”
Once again, here’s a link to the story, “Bahrain: Lines in Ink, Lines in the Sand”: http://www.cartoonmovement.com/comic/24