I’ve been thinking about Harvey Pekar a lot recently; more details to follow. But in the meantime, I revived and updated a “coping mechanism” project I first created years ago: a comprehensive listing of all the artists Harvey worked with over the years, from his first published piece in 1974 up through his death (and beyond). You can find it here.
Today is the one-year anniversary of Harvey Pekar‘s death. One of the more extraordinary homages appearing today is Seth Kushner’s photo comic, "Harvey Pekar: Tribute to ‘Our Man.’" (It’s #25 of Seth’s CulturePop series on ACT-I-VATE.) Weaving wonderful photos of Harvey with Pekar’s own words, it takes the reader through his remarkable life and career. People like Harvey’s wife Joyce Brabner, the filmmakers behind the American Splendor movie, and collaborators like Dean ( ) Haspiel, Jeff () Newelt, and Joseph Remnant make appearances as well. (Oh, and I’m in there too.) It’s memoir, it’s photography, it’s comics — it’s Seth’s unique form of creative expression. Please check it out: http://act-i-vate.com/104-25-1.comic.
P.S. Another nice tribute is KCRW’s re-broadcast of a 2003 conversation between Harvey and Elvis Mitchell: http://www.kcrw.com/etc/programs/tt/tt030813harvey_pekar
Ernie Estrella of PopCultureShock crafts a poetic review of the new issue of American Splendor “Season Two” (Vertigo). This issue (#3)—and the previous one—feature stories illustrated by both me and
, as well as many other cool contributors, such as Darwyn Cooke, Rick Geary, Chris Samnee, Warren Pleece, and John Cebollero (with a beautiful cover by Cooke). I really think with this “Season Two” of AS, Pekar is back in top form. And so does Ernie:
This week I’m working on a Harvey Pekar story for the next American Splendor mini-series from Vertigo. It’s a cute piece, and is the sequel to the one I did with him in last year’s Another Day TPB. And I actually appear in the story as a character, which is humorous (and fun to draw).
This story (like many of Harvey’s pieces nowadays) is mostly set in and around his house, and one challenge I’ve come across is drawing Harvey’s abode. Even though I’ve been working with Harvey for almost fifteen years (!), and I’ve met him plenty of times in person, and hung out with him at conventions, book releases, and movie premieres, I’ve never been to his house. So whenever I draw it, I basically just make it up.
Way back, when I did my very first Splendor story, I got Harvey to send me reference photos of one of the other characters in the piece. But as the years went by, I just began winging it, or swiping characters and interiors from previous issues of American Splendor. The only “reference” I use now are some shots of Harvey I cobbled together from the Internet, the work of other artists, or — horrors! — popping in the DVD of the film and using that. And even though I’ve drawn many stories set in his house, I tend to be dissatisfied with what I’ve done before and usually do something different each time. In essence, every time I draw a new A.S. story, Harvey’s pad undergoes an extreme makeover (sans Ty Pennington)! The only consistencies are the books, magazines, and newspapers piled everywhere, and the general air of post-bohemian shabbiness.
So this got me thinking what a great idea it would be for someone to create an American Splendor “bible sheet” — basically a packet of reference photos for artists to use. You know, like what DC might provide if you were drawing a Batman story and needed to get the details of Wayne Mansion and the Batcave just right. All a Splendor bible would need are some up-to-date shots of Harvey, his wife Joyce Brabner, their foster daughter Danielle Batone, and some interior and exterior shots of his house. Their car, would be nice too, as it seems like the make and model change with each artist who tackles it. Now that Vertigo is publishing A.S., this seems like something I could bring up with the editors.
‘Course, what makes drawing American Splendor so much fun, and so liberating for me, is the freedom I’m given to add my own perspective, my interpretation of the “facts” of the story. But I think a little more foundation for my improv would only help in the end.
P.S. I recently updated my exhaustive list of Pekar contributors, which is part of the “And…” section of my website: http://joshcomix.home.mindspring.com/and/pekar_artists/
The flurry of the holidays (and the desertion of my intern) prevented me from getting much done on the A.D. front in December, but I did manage to complete Chapter 8, which now weighs in at a whopping 20 pp. So if you haven’t yet caught up with A.D. or the two-part “The Bowl Effect” storyline, please check it out now.
I’m taking a short sabbatical from A.D. to work on a new Harvey Pekar/American Splendor story, but will return to A.D. shortly with Chapter 9. And then there’s more exciting A.D.-related news to follow…
and I will be representing American Splendor at the Broadway branch of the QPL this Thursday. Host Michael Sherer will quiz us about working with writer Harvey Pekar on the series, and we’ll discuss the process of illustrating comics from script to finished product. The discussion will be accompanied by slides of comic art in various stages of completion, and a Q & A session will follow. Should be fun!
Thursday, August 24th at 6pm
The Broadway Community Library Auditorium
40-20 Broadway, Long Island City, NY.
[R or V to Steinway. Ride as close to the front of the train as possible. When you exit, just walk up the stairs closest to the front of the train. You’ll be on Steinway about half a block from where it intersects with Broadway. Walk up to Broadway, take a right, and the library is the building next to Rite-Aid.]
As Harvey Pekar’s unofficial, unauthorized archivist, and in honor of the publication of The Quitter, I’ve updated my list of Pekar’s artists! From R. Crumb to Joe Sacco, “Dino” man_size Haspiel to Gary Dumm, Joe Zabel to Frank Stack, Chester Brown to Jim Woodring — even Joyce Brabner to Alan Moore — this is where you can find which artist drew what story.
The list is organized by artist’s last name and features the title of the piece, where it appeared, and the date it was published. It’s fairly comphrehensive: I own pretty much everything Harvey’s ever published, with the exception of American Splendor #1 (but a lot of the material from that issue ended up in the first AS collection), but if you spot an error or have an addition, please let me know.
Enjoy the arcana: joshcomix.com/and/pekar_artists.
man_size and I (and our dates) went to the American Splendor NYC premiere on Wednesday night (August 12) and I had the time of my life. It was my second time seeing the film and I enjoyed it just as much this go-around. Dean and his girlfriend — a film editor — are old hands at movie premieres, but I ate it all up. The red carpet, the limos, the star treatment for Harvey & Joyce — it was exciting, thrilling and bizarre, all at once. I finally met Toby Radloff — someone I’ve drawn a number of times in the comic — in person, and he was just as strange as I’ve always imagined. I also met Judah Friedlander, the guy who plays Toby in the film, which was surreal.
The after-movie dinner was held in a giant studio in Chelsea, filled with kitschy set pieces from the movie: old 70s furniture, jazz records, cheesy diner tables, the works. To top it off, they served all manner of white trash junk food, from White Castle hamburgers to orange soda (Harvey’s favorite?). Totally ridiculous, but all in the service of the film, I guess.
Anyway, It was nice to catch up with Harvey, who I hadn’t seen in person in quite a while. He seemed dazed but unchanged by all the hype — the same old uncompromising, grouchy, needy, intense oddball. At the end of the evening, Dean & I found him slumped on a couch at the very darkest corner of the hall, zoned out and exhausted. I also gave a copy of The Vagabonds to Sean Astin (Sam from Lord of the Rings) who asked me to sign it for him and seemed genuinely thrilled to be getting a free comic book. Plus, I got lots of free trailer park grub and a pocket-full of jellybeans to take home with me. All in all, an evening of splendor in America.