Mobile (AL) Press-Register reviews "A.D."

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Here’s a nice birthday present: a swell review of A.D. by John Sledge, the Book Page Editor of the Mobile Press-Register. He calls me "an engaging and talented artist" — thanks, Mr. Sledge! — and writes that my "work exhibits an appealing sort of cartoonish verisimilitude. [Neufeld’s] double-page spreads, depicting New Orleans before the storm, then with massive clouds towering above it, and finally swept by floodwaters from bursting levees, are no less gut-wrenching than the full-color video of those same scenes that became so familiar."

After a very nice synopsis of the book and its themes, Sledge goes on to write that A.D. "is a fine contribution to our understanding of Hurricane Katrina and what it did to the people of the Gulf Coast. Because it depicts true events, it seems somehow inappropriate to call it a graphic ‘novel.’ ‘Comic book’ doesn’t work either — not much funny here. The difficulty is only one of labeling, however. The work itself is superb."

A year ago today…

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Today Phoebe is one. A-mazing. Having a child definitely bifurcates one’s perception of time. For me, the passage of 12 months seems like an instant: I don’t appear to be noticeably more wrinkly, grey, or feeble. But just to think that one year ago today, Sari was finishing up 36 hours of labor and squeezing out our little girl. In that one year, Phoebe has gone from a helpless newt to a vibrant, talkative, neo-toddler. (She can’t quite walk yet, but she can stand unaided, and loves to cruise around on the furniture.) And she’s so interactive! She hugs and kisses me, waves goodbye, allows herself to be comforted when scared, and calls me “Da-da”. (She also calls Sari “Da-da,” but that’s another story.) So officially today her one-year warranty is up; it’s a good thing we long ago decided we were going to keep her.

Phoebe and her dad

Phoebe in her party dress

39 and 364

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So today is the last day of thirties. I’m trying to spend a little time thinking about that milestone.

When I was a kid, it seemed that turning 30 meant you were an adult; when my parents were young, turning 20 meant you were an adult. Now it seems increasingly like 40 is the (arbitrary) marking point. But whatever I thought being an “adult” would be, I don’t feel like I’ve achieved it yet!

I can’t say I’m happy to be turning 40, but I’m more at peace with it than I would have been without Phoebe. After all, I suppose being a parent is a sign of being “grown up.” And she is a pretty amazing early birthday present!

In other respects, I guess I can look back on my thirties with some measure of pride. I married my lifelong love. I published a book and a number of comics. I established a viable freelance career doing what I love. I’m working on a graphic novel project that I’m passionate about. I bought an apartment. I have many wonderful friends. I’m living in one of the world’s greatest cities. And now I’m a new dad!

The one thing that boggles my mind is the fact that when my mom was the age I am now, I was already 16 years old! (When Phoebe’s 16, I’ll be 56!) There’s no way I could have imagined being a parent at 24, like she and my dad were. But that was her generation, and this is ours.

So on to the 40s. Time to come up with some new goals.

Centennal Heureux, M. Hergé!

Comics, Tribute

Yesterday’s Beauty Bar event, MC’d by Jesse Fuchs, was a terrific way to celebrate Georges Prosper Remi’s (aka Hergé) 100th birthday (which is actually today). A crowd of about 30 folks were treated to a great show, combining entertainment and information about the great Belgian cartoonist and creator of Tintin.

The evening got started by jasonlittle, who put together a terrific multimedia PowerPoint show of the many dream sequences, hallucinations, and other surreal episodes from the Adventures of Tintin. It was a bizarre trip down memory lane, and a great reminder that Hergé, for all his reputation as an exact renderer and the creator of the “clear line” technique, was actually an inspired surrealist.

Next we had a movieoke-style presentation of r_sikoryak‘s “The Lost Adventures of Tim-Tim: Prisoners of the Red Planet”, a dark but loving homage to Explorers on the Moon, with the voices of the various characters brought to life by Jesse Fuchs (Tintin), Stephin Merritt (Captain Haddock), jasonlittle (Professor Calculus), and yours truly (Snowy). Here’s a sample:

Following Bob’s piece came mine, “Case No. 714: Georges Remi vs. Josh Neufeld” (newly given the 4-color treatment by my intern Sara), with the same group as above playing the various characters to the audience’s great amusement. I’ll spare you the panel-by-panel feel of the PowerPoint slideshow and just present it here in page format…

Stepping to the mic next was the eminent Bill Kartalopoulos, who presented a fascinating, deftly delivered PowerPoint show on Hergé, his influences, and the evolution of the “clear line” style. To my mind, it was the perfect counterpoint to the other presentations (including mine), which though they were loving parodies, needed to be balanced with a true appreciation of Hergé’s genius.

Finally, bertozzi (and the assembled character voice “actors’) presented his wicked Tintin satire, “Nit Nit and the Escapees,” which can be seen in its entirety here: http://www.nickbertozzi.com/comics/nitnit/nitnit.htm.

(I must confess to having mixed feelings about Nick’s piece, only because I am such a devout Tintin fan and hate to see the character’s sweet naiveté submitted to such ridicule. But the piece itself is brilliant in all facets!)

The evening concluded with all assembled treated to a mixture of French pop songs and a showing of the subtitled Anders Østergaard documentary, Tintin & I. In my black market knockoff T-shirt, “Tintin in Vietnam,” and toting my Tintin shoulder bag, I was proud to be part of such a fun evening dedicated to the centennial of my all-time favorite cartoonist.

Hergé’s 100th Birthday

Comics, Tribute

May 22nd, 2007, is the 100th birthday of Georges Prosper Remi (1907-1983), better known as Hergé, the legendary Belgian creator of The Adventures of Tintin.

This Monday, May 21st, Beauty Bar’s The Phantastic Invisible Tentacle is celebrating Herge’s legacy with slideshow readings of original Tintin-inspired material by me, bertozzi, jasonlittle, and r_sikoryak.

The reading begins at 8pm, and will be followed by a short presentation about Hergé and Tintin, a documentary, Francophone pop, and other retro delights with DJs Stephin Merritt, Jesse Fuchs, Go-Karff, and ERL. The event is free. Please join us!

For more information, contact jesse.fuchs@gmail.com.

The Phantastic Invisible Tentacle
Monday, May 21st, 8PM
Beauty Bar 231 E. 14th St.
New York City